DETAILED NOTES ON CHARLIE CHAPLIN'S "THE CIRCUS" (1928)

They are frequently craving romantics, using this type of difference: Buster appears to be a plausible mate, as well as the Tramp rarely seems to have a libido, only idealized notions. If their comedies had been designed in a more liberated time, it is achievable to imagine Keaton in mattress with a woman, but disquieting to consider the Tramp as b